Wednesday 28 February 2018

Liz Walker - Salt Lake





Salt Lake (detail) 2018




The first month of Autumn WINDOWSPACE–BEEAC will show the work of Melbourne-based artist Liz Walker, a previous emerging artist award winner (2009) at one of the largest contemporary sculpture events in Australia, the Lorne Sculpture Biennale.  Liz will bring a bit of biennale to Beeac with her installation ‘Salt Lake’ during the month of March.



lornesculpture.com



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Liz Walker has been described as a gleaner, collector and re-user who manipulates recycled corrugated iron, pressed metal and found objects into sculptural forms, her studio represents this – it is a wonderful space of collection and making.  The studio is big, it is full of big tools, big work benches, scores of rusted iron sheets and just pieces of stuff which many would describe as junk.


However, for Liz all found objects and junk present a possibility to re-use, manipulate and to tell a story, usually exploring social and environmental issues which are close to her heart.  As seen in ‘junk mail’ (2009) the found objects and recycled materials are always carefully sorted, manipulated and thoughtfully incorporated initiating amazing sculptures and installations.


 
junk mail (2009)
Lorne Sculpture Biennale 
Emerging Artist Winner


The old Gainger Bros Garage transformed into WINDOWSPACE-BEEAC, is an appealing space for someone like Liz to show her work.  She has a love of old and a huge commitment to sustainability practice and contemporary art in community spaces, Liz states, 'in recent years’ community engagement through creative workshops and collaborative project delivery has become increasingly important to my practice and development as an artist'. 



The salt crusted, altered pieces of aluminium placed on a distressed chair conjure up the depths of what might be found in and around the lake, natural plant life struggling while at the same time surviving.  These pieces are the colour of the lake and although distressed, sit with a strong sense of regeneration over numerous found and manipulated objects randomly scattered by Walker.

Salt Lake (detail) 2018

The football, the leaves, the bottles, the mechanics tool, the domestic objects all tell a story of what was and what is.  The salt crusted nest made from rusted wire sitting on the floor makes reference to the beauty of the water birds that come to the lake to feed on Brine Shrimp and find sanctuary; regardless of the changes it has had to bear and the 'junk' that is sometimes left Lake Beeac continues to bounce back and give. 



Found objects 2018

In Walker's words Salt Lake is ‘an imagined conversation between the past and the present, exploring notions of life and death, regeneration and hope.’ 



Take time to look, imagine and treasure the beauty of the lake.  Go for a wander.............



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Liz has recently moved from Brunswick to Red Hill, on the Mornington Peninsula and is currently working on a new body of work responding to the grounds and architecture of historic Montsalvat which will be exhibited outdoors from August – October this year. She is also preparing to deliver a new series of environmental workshops and undertake the Grain Store residency www.thegrainstore.org at Nathalia with Avis Gardner.



Liz has exhibited widely in group and solo exhibitions, undertaken public artworks, received awards, grants and residencies and her work is held in public and private collections in Australia, Japan, Malaysia and Ireland.




Liz will be running a workshop as part of Lorne Sculpture Biennale http://lornesculpture.com/program-2018.php .





Liz Walker

Visual artist



instagram: @lizwalkerart








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